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first I want to talk about shounen club premium. it's a good show man. okay I've only watched 2 episodes. but I was watching takki's first appearance on scp (2006) last night and it was as serious and hilarious as the tsubasa one. takki and taichi were talking about how long they hadn't talked to one another, and I was thinking about it, and I was like YAH their last proper contact was probably USO!? japan's filming. and that show was such a good laugh. but scp is so much more serious. they dug out old vtrs again, and despite the total lack of timing and cooperation between takki and tsubie, it was still hilarious. (and I have no idea why tonisen were laughing like 3 idiots behind while takitsuba were totally messing up.)
but I insisted on watching this episode (even though it doesn't have tsubasa on it) because I figured that I didn't want to watch another flying tackey episode. it's nice to watch something serious once in a while. in fact, now I think part of the reason why tackey's reactions are wild and he pouts like a small kid is because he never really got to be a kid, I guess. I think takki was forced to grow up really fast. firstly with the divorce of his parents, next with joining the jimusho and having so many variety shows and dramas, and later having to herd the juniors, later head the juniors, grapple with things like unhappy kansai juniors (oh they got murakami to film his vtr in such a horrible state my goodness), not talking to tsubie for 3 years, ouch. he talked about planning the juniors concert when he was 17. is that referring to sugao 2?
but er, I think he should have left the singing of love you only to taichi. *the ancient taichi fangirl re-emerges* even though taichi is such an uncle now. but somehow this talk seemed shorter than tsubie's. should go check. oh but this scp explains why they're close to aiba. although actually I think they're just close to arashi in general, since one has old ties with sho, and then uso japan brought them all together, especially between takki and arashi.
perhaps you could say I have some newfound respect for takki. (but no, I still prefer tsubasa. definitely.) I think I'm like digging out all the condemned folks and trying to redeem them man. I've decided that arashi can make it after all and now I have decided to stop throwing takki down the rubbish chute. and actually koki isn't that annoying anymore. junno is though. and I actually recognise massu now! *throws confetti*
but (sorry rae) nagase is still beyond redemption.
oh and since we're on takki, let's just give the post to him okay? because I was watching his appearance on shounen club in er, 2004. well he was singing futari no yoru, and I totally wanted to hear balance after hearing so much about it but not hearing it. it started with akame whispering like two silly idiots, and I don't know why they couldn't just announce on stage. plus they were wearing this ridiculous costume. as usual, right?
I'd totally forgotten that futari no yoru was written by tackey. totally forgotten. I love that song. and my eyes popped out when the splash screen came out to happily tell me in my face that the song was written by takki. takki please to write more such songs. no more 80's disco tunes ala words of love thanks. and then they were talking something about how takki was close to kat-tun and they asked for ueda to comment, and he started with a
仕事面で言わせてもらうと、タッキッキ♥は・・・
the takkikki caught me off guard too man. but uebo is cute like this. and by 2004 he was still blonde, but at least grown out of that ugly hairdo. plus that lovely lovely dangling earring that totally resembles tsubasa's in 2003. tsk ueda the tsubie fanboy! was reading some stuff about how ueda joined the jimusho partly because of tsubie and how he was so excited to meet tsubie. ueda, ueda.
back to takizawa. oops. then after that he sang balance. and OMG BALANCE. I took a quick look at the composer and squealed. (and totally expected another dodgy song. why oh why.)
miyazaki ayumi.
it's a guy, by the way. besides haba hitoshi, I just love miyazaki ayumi. yes yes one wrote for sailor moon and the other for digimon but hey they write good songs! haba hitoshi's the man behind takitsuba's hit singles, including yume monogatari, ho summer, venus and samurai. still got some more but we won't name them all. miyazaki ayumi is behind get down, taste me, queen of r!! and now balance!
PLUS! miyazaki is ALSO the one behind tsuchiya anna's rose and knock down (which I love so much) and jin's PINKY (yet another dodgy song), kat-tun's famous no matter matter and ultimately, ueda's LOST.
*fangirl puddle*
(gets up from the goo) and then there was kameda action at the side. don't think I didn't see that. okay partly because I was ignoring maru's rapping. and then kame and ueda were happily dancing in the right hand corner. now and then they suddenly cut to takki lost in his own world of weird dancing at the back of the stage but I was more interested in kameda.
but balance is such a good song. release it!!! argh. throw it into a c/w or wherever I don't care. and throw in some of tsubie's best stuff while you're at it. like 1 day 1 night. *fangirl puddle again* er okay it's from dream boy 2004 but hey I appreciate a studio recording. =))
(gets up from the goo again) kore ijou. I'm sorry it's really takizawa post. er for a little real life action, we 4 girls are finally meeting up to celebrate jinxiepoo's birthday, and we're going to eat good ramen. plus I am going to reserve my uruha magazine. I hope it's reservable. I don't have a yaozong in japan to help me buy potatoes and the like. ahaha nore is going to stare a hole in my head.
koe wo motto ai wo motto
baran baran ni kuzureteiku you ni
